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Whedon Lists Cuts Made To AVENGERS: AGE OF ULTRON

Posted on 06 May 2015 by William Gatevackes

JossWhedonAvengersSetIt seems inconceivable that anyone would ever leave a two hour and 21 minute film and feel that something was missing. But many people walked out of Avengers: Age of Ultron feeling exactly that.

It appears that those people are exactly right. Joss Whedon spoke with Empire Magazine’s podcast and listed the cuts he made, many on the urging of Marvel, from the final film. The result is that the final product might have been a lot different, if not better, if they were included.

Since this will be really spoiler intensive, let me throw this up:

Disneyspoilerwarning

Bruce Banner rebukes Natasha earlier

The will they, won’t they flirtation between Bruce Banner and Natasha Romanov is the many driving force of characterization the two had during the movie, but the inevitable answer of “won’t they” originally came a lot earlier in the film.

A lot got changed. In the bedroom scene – and this is going to be on the DVD – when we first shot it the question was answered and he rejected her. It’s some of the most beautiful stuff and I hated to cut it. But when they suggested it, the reasoning was that you shouldn’t answer the question until the end of the movie. I thought that was interesting. But it’s difficult because Scarlett [Johansson] had been playing that this happened, so we had to reshoot some stuff.

In this case, Marvel was right. Saving the final decision until the end made the final break more poignant. Now if only they explained the attraction more.

Quicksilver was originally supposed to survive

It can’t be a Joss Whedon vehicle if one of the characters doesn’t get killed off. But that’s exactly what might have happened.  We know know that Quicksilver gets shot down in the line of duty, but he made it to the end in an alternate cut of the film.

We did actually shoot him in the last scene, in an outfit, with his sister. We also shot him, waking up, saying, ‘Ah, I didn’t really die from these 47 bullet wounds!’ Actually, we shot something else with that, but… maybe I’ll let you know about that later.

However, Whedon decided to slake his rampant bloodlust show the horrors of war, so Quicksilver had to remain dead.

Marvel made him cut Thor’s cave scene, Loki’s cameo

If you remember the trailer to the film, there was scene with a woman in a cave. But in the final film, no such scene exists. That’s because she was part of the second Thor dream sequence which originally supposed to play out much differently.

There was a 195-minute cut of this movie. The original scene was that Thor went to speak to the Norn and how it would work was that he’d go in the pool and the Norn possess him, basically, and Erik Selvig asks all the questions, and the Norn, speaking through Thor, give the answers. So Chris [Hemsworth] got to do something different, and he really threw himself into it, and he did a beautiful job, but it wasn’t well regarded by the test audiences and I feel it’s probably largely because it was a rough cut with no effects, but also because it’s something that in a Thor movie would work brilliantly, but in this movie is just a little too left of centre.

Yes, it was negative responses from test audiences that made Marvel push for the scene to be cut. And they did it in the most shady manner.

The dreams, the farmhouse, these were things I fought [for]. With the cave, they pointed a gun at the farm’s head and ‘Give us the cave’. They got the farm. In a civilized way – I respect these guys, but that’s when it got really unpleasant. There was a point when there was going to be no cave, and Thor was going to leave and come back and say, ‘I figured some stuff out.’ And at that point I was so beaten down, I was like, ‘Sure, okay… what movie is this?’ The editors were like, ‘No no, you have to show the thing, you just can’t say it.’ I was like, ‘Okay, thank you, we can figure this out!’ You can tell it was beaten down, but it was hard won.

Are you beginning to see the reason why Joss Whedon will not be back for Avengers 3 & 4?

The final result is that the scene feels truncated and we are cheated out of the way Thor found the the answers he was looking for. But that wasn’t the only thing we were cheated out of by Marvel’s executives.

I came up with what I felt was a huge win: it’s about Thor getting answers without having to answer the questions, and Chris gets to do something exciting as an actor and he’s got his fucking shirt off, so everybody wins! It’s amazing how many people had to be on set that day. I do feel like they threw out the baby with the pond water, because I tried to set it up so people would accept it when it happens. Instead, we split the dream up, and then we had Loki in the second part of the dream, but then they were like, ‘That doesn’t work, do we want to introduce Loki now, this late?’

Yes, not only did Marvel make the film weaker, it cost us a cameo by the fan-favorite Loki and more shirtless Chris Hemsworth. Thank you, Marvel. Thank you very little.

But what would Loki be doing there?

Who’s going to walk him through his dream? It’s going to be Tom [Hiddleston] as Loki. He’s so important to the mythos, and they’re like, ‘We can’t get Tom. We can’t make a deal. You can have Idris!’ I was like, ‘Oh, I love Idris! This is great!’ And then I talked to Tom, saying, ‘Just so you know, I feel bad not telling you, and I would never pressure you, but… I really feel like it would be great if you could do this…’ And they’re like, ‘But we already have Idris!’ And again, I had no problem there. Everybody’s in!

We even had a little reference to the fact that he’s taken the throne, which was Tom doing his Anthony Hopkins impression when Thor says, ‘Oh, what would father say?’ Then Tom does his Hopkins impression, and Thor’s like, ‘That is uncanny!’ It’s sort of like his subconscious is telling him that Loki was imitating his father. But he would never make that connection. Anyway, the dreams were awfully long, even though I only got a day to shoot each one, because I made the most out of them. There’s a lot of fun stuff that fell.

Obviously.

Strangely enough, the word “Assemble” wasn’t cut

The film ends with Captain America about to address his new team of Avengers. He says “Avengers–” then the screen goes black. I actually cursed out Whedon for denying me the legendary “Avengers Assemble” catch phrase from the comics. Turns out I was right for cursing him out.

I made sure that we never shot Chris Evans saying [the ‘assemble!’ of ‘Avengers assemble!’] I was positive that some executive was gonna go, ‘You forgot to put in the last word!’ I was like, ‘With my dying breath…’ I don’t have to say that a lot, but sometimes I’ll turn to [Marvel head honcho] Kevin [Feige] and say, ‘With my dying breath…’

As much as I was like, ‘We didn’t get this, we didn’t get this, this is sloppy, and I’m not happy with that music cue…’ With all my complaints, it was in the script exactly as you see it. ‘He draws breath to say the next word. Blackout.’ So to know that we landed exactly where I wanted to go, however many stumbles along the way, was extremely gratifying.

Damn you Whedon.

Spider-Man and Captain Marvel might have been in that final scene as well

We all know that Captain Marvel was supposed to be in Avengers: Age of Ultron, but a certain webhead might have been in there too.

I said, ‘It would be great if we could add a few more. If we could have a Captain Marvel there…’ And they talked about it. And Spider-Man, because Sony had approached us during the first movie about integration, so I would have put both of them in, but neither of the deals were made, and then it’s, ‘We’re making a Captain Marvel movie, and we’ve got Spider-Man as a property!’ I was like, ‘I’ve already locked my film, you fucks. Thanks for nothing.’

This kind of goes against the reason Kevin Feige gave for Captain Marvel not appearing in the film (namely, they didn’t want a cameo to be the first time audiences see her). But each man could be right.

Marvel made him downplay the possibility of Planet Hulk

The biggest rumor surrounding the Hulk’s fate at the end of the film was that he would be shot into space and either A) travel to Planet Hulk (as per El Mayimbe) or B) join up with the Guardians of the Galaxy (as per Drew McWeeny). However, the Hulk’s fate at the end of the film, while still ambiguous, seems to be earthbound. It appears that that’s the way Marvel wanted it.

I specifically put in the line, ‘Where in the world am I not a threat?’ I wanted to leave people with the idea that if this is the last movie, that he may have left the world behind. Because I think there’s something enormously poetic about that, but there’s also something enormously misleading about that. We don’t plan to make Planet Hulk, as far as I know, so they were like, ‘Just sky, no stars!’ which was less poetic, but very beautiful…

I used to mock El Mayimbe when he said that Marvel would change its long-range plans just to spite him, but it appears, and lord does it pain me to say this, he might be right.

Additional sources for this story include Collider, The AVClub, and Vulture.

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SPIDER-MAN Directorial Shortlist Named

Posted on 06 May 2015 by William Gatevackes

Spider-man

When Sony was looking for a director for the reboot of its Spider-Man franchise, it chose a relatively novice director from the world of indie comedies, and we have seen how well that worked out. Now, as it once again looks for a new director to helm another reboot of the franchise, it once again is looking at predominately novice directors primarily from the world of indie comedies. Everything old is new again.

Deadline names five potential candidates for the job, with the caveat that there might be more names in the running. I’ll list them from the one I like most to the one I like least:

Jonathan Levine

Jonathan LevineWhat has he directed that I might know?: He’s one of the more experienced directors on the list. He has directed All The Boy Love Mandy Lane, The Wackness, 50/50 and Warm Bodies.

Does he write?: Yes. He has done the screenplays for The Wackness and Warm Bodies.

Does he act? No.

My Take? All The Boys Love Mandy Lane and The Wackness were critical darlings. I have seen Warm Bodies and 50/50 and loved both of them. Levine appears to be a director that can take genre films and make them poignant and funny, which is perfect for the Spider-Man franchise.

Does he have anything coming up that I can see as an example of his work?: He will be reuniting with his 50/50 star Joseph Gordon-Levitt with November’s X-Mas, a film he also co-wrote.

Ted Melfi

Ted-MelfiWhat has he directed that I might know?: He directed last year’s highly regarded St. Vincent.

Does he write?: Yes. He also wrote St. Vincent.

Does he act?: He does have one acting job on his resume.

My Take?: St. Vincent was only Melfi’s second directorial effort, and it comes 15 years after his last one (1999’s Winding Roads). However, the film did get Oscar buzz and Melfi was nominated for Best Director by the Indiana Film Journalists Association. That is a pretty good last job to bring into the mix.

Does he have anything coming up that I can see as an example of his work?: He has been tapped to write and co-direct the upcoming remake of Going in Style, which is to star Morgan Freeman, Alan Arkin and Michael Caine.

Jason Moore

jason mooreWhat has he directed that I might know?: He directed the sleeper hit of 2012, Pitch Perfect. He has also directed a number of Broadway plays.

Does he write?: He is listed as the writer of the music video for the song Cups, but that is his only writing credit.

Does he act?: He has three acting jobs on his resume, the most notable a bit part on Dawson’s Creek.

My Take?: He does have a experience in directing stories featuring misfits making good, which is Spider-Man in a nutshell, but since Spider-Man and musicals do not mix, it might be a bit out of Moore’s comfort zone.

Does he have anything coming up that I can see as an example of his work?: We will be able see how well he directs a predominantly female cast who do not sing when his Amy Poehler/Tina Fey vehicle Sisters hits theaters in December.

John Francis Daley and Jonathan M. Goldstein

Daley and GoldsteinWhat have they directed that I might know?: They have directed a pair of short films, but no features that have been released as of yet.

Do they write?: The pair are most noted as writers, writing Horrible Bosses 1& 2, The Incredible Burt Wonderstone and Partly Cloudy With a Chance of Meatballs 2 together.

Do they act?:  Daley is primarily known as an actor, having starred in Freaks & Geeks, Waiting and Bones to name a few. Goldstein has had a cameo in The Incredible Burt Wonderstone.

Do they have anything coming up that I can see as an example of his work?:The pair wrote and directed the remake by way of a quasi-sequel to Vacation, which will hit theaters in July.

My Take?:Sony is supposedly going for a John Hughes feel for the Spidey film, and these guys are continuing Hughes’ Vacation franchise, but the rest of their resume is uneven to say the least.

Jared Hess

jared hessWhat has he directed that I might know?: He is arguably the most successful director on the list, having Napoleon Dynamite and Nacho Libre under his belt.

Does he write?: He has written every film he has directed to date.

Does he act?: He has roles in three, low-budget indies from 2002-2003, but his acting career ends there.

My Take?: Hess’ resume shows an esoteric eye that is more quirky than weird. From what I’ve seen of his work, I don’t know if he’d be that good of a fit for Spider-Man.

Does he have anything coming up that I can see as an example of his work?: His next directorial effort we can see will be Masterminds in August. It will be the first film he has directed that he did not have a hand in writing, and it is based on a true story.

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Josh Trank – Fired Or Quit STAR WARS: ANTHOLOGY Film

Posted on 03 May 2015 by Rich Drees

JoshTrank

The big news that finished out this past week was that Josh Trank was no longer to be the director of the second Star Wars spinoff film scheduled for 2018. In hindsight, the announcement was not much of a surprise as Trank was not in attendance for the Star Wars Anthology panel at Star Wars Celebration in Anaheim last month, with the stated reason later given being that the director was sick. Coincidentally (?) enough, the newest trailer for his upcoming film, Fox’s Fantastic Four, was released at the same time that the panel was going on.

Star Wars: Anthology is the umbrella title recently revealed for Disney/Lucasfilms’ planned Star Wars spinoff films that will be released in the years between the main saga’s installments.

In a statement posted at StarWars.com, Trank said –

After a year of having the incredible honor of developing with the wonderful and talented people at Lucasfilm, I’m making a personal decision to move forward on a different path. I’ve put a tremendous amount of thought into this, and I know deep down in my heart that I want to pursue some original creative opportunities. That said, the ‘Star Wars’ universe has always been one of my biggest influences, and I couldn’t be more excited to witness its future alongside my millions of fellow ‘Star Wars’ fans. I want to thank my friends Kathleen Kennedy, [Lucasfilm VP of Development] Kiri Hart, Simon Kinberg, and everyone at Lucasfilm and Disney for the amazing opportunity to have been a part of this. May the Force be with you all.

While Trank is explaining away is leaving his Star Wars film due to an ambiguous “personal issues,” the Hollywood Reporter is reporting that Trank’s handling, or rather mis-handling, of the Fantastic Four production may have led the studio to show the Trank the door more so than him heading towards of his own volition.

[P]roducers on Fantastic Four, set for release July 30 (sic), are said to have faced great challenges pulling the film together given behavior described by one insider as “erratic” and at times “very isolated.” Trank did not offer clear direction, this person adds, saying, “If you’ve got someone who can’t answer questions or who isn’t sure or is in hiding, that’s not good.”

A Fox spokesman says the studio is “very happy with the movie and we can’t wait for audiences to see it” but acknowledges, “There were definitely some bumps in the road.”

While an unnamed studio source tells the Reporter that the studio is impressed with Trank’s talent – “No question there’s talent there. You can’t do [Trank’s 2012 directorial debut] Chronicle by accident.” – they feel that he may not have been ready to be thrust from the world of indie film into the one of big-budget tentpole pictures, likening the director to “one of these kids who comes to the NBA with all the talent and none of the character-based skills to handle it. There’s equipment he doesn’t yet have.”

The checklist of behavior issues that the studio has to contend with from Trank include such things as approximately $100,000 worth of damage done to a home that the studio had rented for the director while the production was in New Orleans. Trank was also reportedly “indecisive and uncommunicative” on set, necessitating producers Simon Kinberg and Hutch Parker to take a more active, on set hand in the shooting.

The film has already gone through a number of reshoots and pickups even though its release is just a few weeks away. The most recent session of reshoots were three days done at the end of last month that had to be scheduled around the availability of stars Miles Teller, Kate Mara and Michael B. Jordan who were all deep into work on other projects. The most reshoots also mean that Kinberg and Parker had to leave the set of X-Men: Apocalypse in Canada, which they are also producing.

Reportedly, it is Kinberg, who was set to work with Trank on the Star Wars: Anthology film as both a writer and producer, who communicated his displeasure with the director to Kennedy, which set in motion the decision for Trank to leave the film. Disney, of course, declined to comment to the Reporter.

If it is true that Trank was bounced from the gig for his Fantastic Four behavior, it makes sense from Disney’s point of view. The studio has much invested in the Star Wars franchise, with it and the films from Marvel Studios serving as a major part of their annual slate. These films need to be in theaters when they are planning on them being there in order to meet certain revenue expectations for each quarter. There is no room for them to miss their release dates. Variety, however, is reporting from unnamed sources that the Star Wars standalone film will be pushed back to 2019, but there has been no confirmation of that.

Fantastic Four has bounced around on Fox’s schedule with two other announced release dates for this year before the studio finally settled on August 7. It should also be noted that Fox has already announced a summer 2017 release date for a Fantastic Four sequel, though no creative personnel, including Trank, have been announced as attached to the project. It is unclear if Trank’s possible non-involvement is a result of a studio decision or one made by the director due to anticipated time needed for his Star Wars: Anthology film.

After years of seemingly uninspiring news about Fantastic Four, the most recent trailer did instill some hope in for me the project. Unfortunately, this latest word of additional reshoots so close to the film’s release goes a way to dashing them again.

So far, there has been no announced replacement for Trank on the project, but I wouldn’t be surprised if stories about a shortlist of directors under consideration for the job start to appear very soon.

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WONDER WOMAN Has Already Found New Director In Patty Jenkins

Posted on 15 April 2015 by Rich Drees

Patty-Jenkins-to-direct-Wonder-Woman

In what is probably the quickest turnaround in recent memory, Warner Brothers has already filled the director’s chair for their upcoming Wonder Woman film vacated less than 48 hours ago by Michelle MacLaren.

According to Deadline, the job is now going to Patty Jenkins, perhaps best known for directing Charlize Theron in the serial killer drama Monster (2003).

You may remember that Jenkins was briefly attached to direct another superhero project a few years back, Marvel Studios’ Thor: The Dark World. She left that project over “creative differences,” the same reason that was offered for MacLaren’s departure from Wonder Woman.

Wonder Woman will mark Jenkins first feature film work since Monster. She has filled the time in between working on TV series from Arrested Development and Entourage to The Killing. Normally, I would be concerned about the lack of big budget experience for a project this size, but if Marvel initially felt good about working with her as does Warners now, I suppose they are privy to things we may not be.

Gal Gadot has already been cast to star as the Amazonian superhero who will first appear in next spring’s Batman V Superman: Dawn Of Justice before Wonder Woman hits the screen on June 23, 2017. The character will follow through to November 17, 2017’s Justice League: Part One.

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Fox Interested In Matthew Vaughn Directing FLASH GORDON

Posted on 15 April 2015 by Rich Drees

matthew-vaughn-lexiconTwentieth Century Fox is looking to have Matthew Vaughn helm their in-development adaptation of the classic comic strip hero Flash Gordon.

The Hollywood Reporter is stating that the studio is hoping that the Kingsman: The Secret Service director will take the reins of the film being developed by producers John Davis (Predator) and George Nolfi (The Adjustment Bureau) and writers J D Payne and Patrick McKay (Star Trek 3).

If Vaughn signs on, this would make the fifth comics-based property in a row for the director, starting with 2007’s Stardust and continuing through 2010’s Kick-Ass, X-Men: First Class (2011) and Kingsman. With Kingsman being a surprise hit for the director, making $392 million worldwide off a lean budget of $82 million, it is not surprising that studios are eyeing him to direct a number of projects that they want to get up on the big screen.

As I have enjoyed Vaughn’s work to varying degrees so far, I want to be cautiously optimistic at this news. But I am a big fan of the 1980 version of Flash Gordon directed by Mike Hodges. The film is probably best remembered for its throwback campy tone, a vibe similar to what Vaughn achieved with Kingsman. Hopefully, Fox isn’t looking to Vaughn to replicate that tone in the new film. What Hodges did was capture lightening in a bottle, and we know how hard it is to try and recreate a previous film’s tone. (Yeah, Superman Returns and Bryan Singer, I’m looking at you…)

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Michell MacLaren Departs WONDER WOMAN Director’s Chair

Posted on 13 April 2015 by Rich Drees

Michelle-MacLaren

Michelle MacLaren has pulled out of directing Wonder Woman for Warner Brothers, according to the Hollywood Reporter. Allegedly, there were creative differences between MacLaren and the studio over the direction of the superhero project due in theaters on June 23, 2017.

Gal Gadot has already been cast to star as the Amazonian superhero who will first appear in next spring’s Batman V Superman: Dawn Of Justice before Wonder Woman hits the screen. The character will follow through to November 17, 2017’s Justice League: Part One.

The news comes as a disappointment as MacLaren seemed like a good pick for the job. Although this would have been her feature film debut, she already has gained plenty of experience directing episodes of Breaking Bad, The Walking Dead, Game of Thrones and Better Call Saul.

Warner Brothers had been developing multiple screenplays for Wonder Woman, with MacLaren supposedly working with the writers and their various takes. The studio will need to move fast to get another director in to get the project into shape and in front of cameras to meet its scheduled release date in 26 months.

wonder-woman-bvs

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Warners Want Lord And Miller To Direct FLASH

Posted on 06 April 2015 by Rich Drees

Flash

Warner Brothers certainly has a hit on their hands with the WB TV series The Flash, adapting the superfast superhero from DC Comics. As a spinoff off from the popular Green Arrow adaption Arrow and with another superhero show on the show, the CW is building up its own interconnected comic book universe the way Marvel Studios has done in the movies and how Warner hopes to also leverage their DC Comics characters in film.

The problem, ironically, with Warners’ cinematic plans is that the TV versions of the heroes, and by extension the actors playing them, will not be carried over to the studio’s film universe. This has upset some sectors of fandom who are enjoying Grant Gustnin’s take on the superhero  question the wisdom of keeping the TV and film incarnations separate rather than allowing crossover between the two mediums, a la Marvel’s films and the Agents Of SHIELD, Agent Carter and the upcoming five series from Netflix being kicked off with Daredevil later this week.

Warners seem to have that in mind and appear to be looking very much at attempting to capture lightening in a bottle – Flash pun very much intended – again.

This weekend on SchmoesKnows Meet The Movie Press video podcast, The Wrap’s Jeff Sneider indiacted just that when he revealed that the studio is working at trying to land The Lego Movie directors Phil Lord and Chris Miller for the director chairs of the big screen version of The Flash that the studio announced last October.

We’ve just heard a bit of a tug of war going on between Warner Bros. and Sony, which would like the same two directors for one of its big franchise movies … If maybe Warner Bros. wanted them for The Flash and Sony wanted them for a Ghostbusters movie, which would Lord and Miller do?

Lord and Miller certainly have their plate full of genre related films to right now. Sony had approached the pair about directing a Ghostbusters film, back when it looked like it might be a third film in the original series. After they passed, director Paul Feig gave the studio his pitch for a female-fronted reboot of the franchise that is now currently shooting. That the studio is still interested in them in contributing to the franchise speaks to the seriousness of their plans to use Feig’s 2016 film as a launching point for a series of interconnected films. With the studio already eyeing their first Ghostbusters followup for 2017, possibly starring Channing Tatum and Captain America: The Winter Soldier co-directors Joe and Anthony Russo behind the camera, I have to wonder if Sony is looking for a Lord and Miller Ghostbusters film for 2018. Warners has already announced a March 23, 2018 date for The Flash, so it looks as if the timing is a bit too close for them to tackle both. Although, if Sony were amenable to pushing back their hoped-for Ghostbuster film a year, there would be time for both.

The pair are already producing a big screen adaptation of the 80s superhero comedy The Greatest American Hero. Wile they are not directing the Lego Movie sequel, they are writing and producing it along with the Lego-related Ninjago and The Lego Batman Movie.

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Brace Yourself, FROZEN 2 Is Coming

Posted on 12 March 2015 by William Gatevackes

FrozencastIf you are like me, then your kid has just started to let you listen to something other than the Frozen soundtrack in the car and they have stopped watching Frozen on a continuous cycle at home. Leave it to Disney to make this only a brief respite from all things Frozen.

Another tidbit of information to come from the Disney shareholders meeting is that Frozen 2 is officially in development at the studio. Directors Chris Buck and Jennifer Lee are set to return to helm the sequel. No cast confirmed as of yet, but since Josh Gad appeared at the meeting to make the announcement, one assumes that he will be returning to voice Olaf the Snowman.

The first film’s smash success caught Disney by surprise, as the company’s typically savvy merchandising arm had a hard time keeping Frozen merchandise on store shelves. The film went on to become the highest grossing animated film of all time and win Oscars for Best Animated Film and Best Song. I, myself, am a fan of the film, but not as much as my five-year old daughter is. The film has become a cultural touchstone for her the same way the first Star Wars films were for my generation.

No plot details are known nor is a release date is set, but I’d imagine that it will correspond to the completion of turning the Epcot’s Maelstrom ride into a Frozen themed attraction (rumored to be completed in 2016), part of a rumored permanent Frozen installation in Epcot’s Norway Pavillion (No date yet known). That is cold comfort for parents who will now be bombarded by pestering kids asking them when Frozen 2 will be coming out. To tide them over, take them to Cinderella this weekend, so they can see the new short film, Frozen Fever, which continues the story from the first film.

Via: Frozen’s Facebook Page

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STAR WARS Spin-Off Named, Sequel Release Date Set

Posted on 12 March 2015 by William Gatevackes

StarWarsLogoAnnual shareholder meetings are designed to do two things. One, let shareholders know how great the past year was and, two, let them know how great the upcoming year will be. And when it comes to Disney, the past was great, and the future is rosy. To so how rosy, Disney revealed some heretofore unconfirmed info about their upcoming projects.

Gareth Edwards’ Star Wars spinoff project has received an official title, and that title will be Rogue One (or, more likely, Star Wars: Rogue One). The film stars Oscar-nominee Felicity Jones and is set to begin filming this summer with a December 2016 release date.

Speaking of release dates, Star Wars VIII will return to the franchise’s typical  Memorial Day Weekend release with a May 26, 2017 release date. Disney also confirmed that Rian Johnson (Looper) will be taking over from J.J. Abrams for the sequel, assuming the role as writer and director.

If you have been paying attention, this means that we will have a new Star Wars film a year for the next three years, and probably more. And that Disney will be releasing Guardians of the Galaxy 2 and Star Wars VIII just two weeks away from each other.

Via Benzinga

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Is Drew Goddard Writing/Directing Rebooted SPIDER-MAN Solo Film?

Posted on 03 March 2015 by Rich Drees

AmazingSpiderMan2SBTrailer

Perhaps the biggest news story of the year so far is the February announcement of the deal that Marvel Studios and Sony reached an agreement to jointly share the film rights to Marvel Comics character Spider-Man, having the famous webslinger first appear in a Marvel Studios film, most likely 2016’s Captain America: Civil War, before headlining a new solo film for Sony and then finally swinging back to the main Marvel Cinematic Universe for 2018 and 2019’s two-part Avengers: Infinity War epic. The news meant that current Spider-franchise steward director Marc Webb was out the door, along with the current actor playing Peter Parker/Spider-Man Andrew Garfield. Vacancies that the studio is now working hard at filling.

There’s been no official word yet as to who will be stepping behind the camera to oversee that new solo film, but rumor is starting to circulate that Sony is interested in getting Cabin In The Woods writer/director Drew Goddard for the job.

DrewGoddardGoddard is a good and fairly obvious choice for the studio to pursue. Before the big franchise shakeup, Goddard was hard at work on a planned Spidey spinoff film featuring the villain group the Sinister Six. Reportedly, the new Spider-Man solo film, now possibly titled The Spectacular Spider-Man after one of the hero’s several ongoing monthly comics titles, will be a reworking of the storyline he was developing for that film.

The story of Goddard’s involvement with the new Spider-Man solo film is originating from Latino Review, a sit we are normally skeptical of. But it looks like both The Wrap and Drew McWeeny over at Hit Fix are hearing similar things from their sources, so I am willing to put a bot more stock in it.In addition to confirming the basic story, McWeeny added that his own sources have told him that Sony is looking at possibly having one Spider-Man film in theaters per year, something that the franchise-lite studio had been hoping to do for some time now. The Wrap cautions that Goddard doesn’t have the job yet, but will be meeting with the studio this week. However, he may be just one of several meetings that the studio is taking before making their final decision.

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