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In Remembrance: Virginia Grey
Virginia
Grey, the character actress who started as a child in silent films and
worked all the way into the 1970s, has passed away in Los Angeles, Saturday,
July 31, 2004. She was 87.
Born on
March 22, 1917 in Edendale, California, and grew up near Mack Sennett
Studios where her father Ray Grey worked as an actor and director. Some of
the young actress at the studio babysat Grey, including Gloria Swanson.
After her father died when she was eight, her mother Florence Grey took a
job as a film cutter at Universal Studios, where Grey was discovered walking
on the lot one day by a casting director, who cast her as Little Eva in the
1927 adaptation of Harriet Beecher Stowe's Uncle Tom's Cabin. She
appeared in a couple of more films before taking some time off for school
and to study dance.
Grey made
infrequent appearance in uncredited bit parts in her teens in such films as
Secrets (1933), which starred Mary Pickford and The Great Ziegfeld
(1936) starring William Powell. She eventually landed a contract with MGM
Studios who cast her opposite Bruce Cabot in Bad Guy and Richard
Arlen in Secret Valley (both 1937). Though she didn't set the screen
on fire, she was considered a solid, dependable actress. Grey soon began
landing leads in B pictures and supporting roles in A pictures. She appeared
in such pictures as Another Thin Man (1939), The Hardys Ride High
(1939), The Big Store (1941), with the Marx Brothers, Tarzan's New
York Adventure (1942) and Bells Of Capistrano (1942). One of her
most memorable roles was that of a perfume counter girl who threw barbed
comments at her social climbing co-worker played by Joan Crawford in 1939's
The Women.
She left MGM in 1942, working freelance for virtually all of the studios,
though the films ranged in quality from the forgettable programmer
Secrets of the Underground (1942) for Republic Pictures to the minor
horror classic House Of Horror (1946) for Universal Pictures. She
re-teamed with her Tarzan's New York Adventure co-star Johnny
Weissmuller twice more. In 1946's Swamp Fire she vied for his
affections with Carol Thurston, while in Jungle Jim (1948) she played
a doctor searching for a cure for polio. Perhaps her best role during this
time was that of Estelle Hohengarten in the Tennessee Williams adaptation
The Rose Tattoo (1955).
Gray also worked in early television, appearing on such shows as The Ford
Theatre Hour, Four Star Playhouse, The Millionaire,
Climax!, and Wagon Train.
In the 1960s, Grey made only a handful of films, chief among them being the
1966 drama Madame X. Her last film was the 1970 thriller Airport.
After a few more television appearances, Grey retired in the mid-1970s. |