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Calendar Girls
Reviewed by Rich Drees
Chris (Helen Mirren) and Annie (Julie Walters) are old friends who have
become increasingly bored with the monthly meeting of their women’s group
and its unending stream of stultifying speakers on such topics as the
history of broccoli or the milk marketing board. When it comes time to plan
the group’s annual calendar fundraiser, the two hatch a plan to turn the
usual collection of photos of country churches and landscapes on its head.
Inspired by something that Anne’s husband said shortly before dying of
leukemia, the ladies decide that this year’s calendar will show members of
the group doing traditional things like baking pastries or knitting sans
clothes.
Needless to say, when word starts to get around the sleepy countryside,
reactions vary. Some are shocked and some bemused. But when the calendars go
on sale, the ladies find they have an unanticipated hit on their hands. But
the women find themselves the sudden center of a media maelstrom, they find
that fame is not all it can be and Chris and Annie find their friendship
tested.
Based on a true story from 2000, Calendar Girls does the “older women
can be sexy” story much better than the recent Hollywood spawned romantic
comedy Something’s Gotta Give. Whereas Something’s Gotta Give
has the chemistry of Jack Nicholson and Diane Keaton to carry the film, the
screenplay to Calendar Girls is the stronger, wittier and more
touching of the two. The film does follow some of the same broad story beats
as 1997’s The Full Monty; a group of older folks in a small English
country town decide to raise a little cash by dropping their clothes. But
the devil’s in the details here and the film definitely differentiates
itself from its male counterpart.
While the film primarily concentrates on the production of the calendar and
the friendship between Chris and Annie, the other “Calendar Girls” do get
some nice screen moments as well. Penelope Wilton is outstanding as a meek
housewife who summons up the inner strength to confront her philandering
husband after posing for the calendar. Ciaran Hinds as Chris’ husband who
starts to feel left behind in the wake of the calendar’s success also
contributes a fine performance.
By the time the girls reach Hollywood for an appearance on The Tonight
Show the film does seems to flag a little, but fortunately knows well
enough to speedily wrap things up before its starts to drag too much. But
aside from that brief stumble, Calendar Girls provides plenty of
laughs and a few heartfelt moments. And besides, how many English comedies
sport cameos from hard rock band Anthrax?
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