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Frost/Nixon
Reviewed By William Gatevackes
About half way through the Frost/Nixon, Nixon aide Jack
Brennan (Kevin Bacon) compares David Frost (Michael Sheen) to a
boxer who trained for months to face off against the champion—in
this case former President Richard Nixon (Frank Langella)—and found
that all that training was for naught, that he was hopelessly
outmatched.
History would prove different, but this line of dialogue confirms
what structure the film is trying to follow. Based on the historic
1977 set of interviews between the two men, Frost/Nixon is
akin to a classic boxing movie. You have two former champions with
one last chance at retaining their former glory. And the only way
either can succeed is if the other one loses.
David Frost is a television presenter who once had some success in
the U.S. Now, he is in exile in Australia, interviewing pop stars
and hosting what passed for reality TV back in those days. He longs
for a return to America, the place where being a star has real
meaning.
Also longing for a return is Richard Nixon. Fresh from his shameful
resignation as President of the United States, he is speaking at
dinners for a quick buck when he’s not living out his forced
retirement in his California home. He believes that he can one day
return to his once held political glory, if only America can forget
about his disgraceful behavior during Watergate.
The two men see each other as an opportunity. Frost understands the
world’s fascination with the scandal surrounding the Nixon White
House, and sees the interviews as a way to regain his status as an
international star. However, he knows that he can only achieve that
goal if he can get some sort of an apology out of Nixon.
To Nixon, Frost is a host known for lobbing softball questions at
the likes of the Bee Gees and Yvonne Goolagong. If the former
President can dominate the interview, he can change the way the
American public views him, and he might just be able to return to
Washington just a little bit sooner. Of course, if this does happen,
Frost’s credibility as a journalist would be ruined and his career
would pretty much be over.
The movie essentially becomes a title fight between the two,
battling each other for the upper hand, guided by the people in
their corners in between interview segments on how they did and what
they need to do. This makes the film exciting. Since the interviews
are a part of history, we know how it all will end. But director Ron
Howard and screenwriter Peter Morgan (who wrote the play the film
was based on) keep us interested in seeing exactly how they will get
there.
Michael Sheen and Frank Langella also carry over from the original
version, having played the same roles in both the West End and
Broadway incarnations of the play. Langella has gotten the most
acclaim for his role as Nixon, and rightfully so. He keeps his
portrayal from slipping into a common impersonation, and gives the
character sympathy and humanity, even when Nixon is acting at his
worst. But credit must also be given to Sheen, who plays the
ambitious Frost with a balance of out and out desperation and
stiff-upper-lip British reserve. Together, they make a great
combination.
The original interviews between David Frost and Richard Nixon are
part of the public record, and those that remember the conversations
already know the ending of the film. But the rest movie shows how
fascinating the fight was that brought us to that end. |