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Lucky Number Slevin
Reviewed by Rich Drees
Lucky Number Slevin is a
stylish thriller that just may be a bit too stylish for its own
good. The characters don’t discuss things, they wittily banter,
saying things like “I’m on both sides of the fence and the grass is
always green.” Another exchange goes on for an excruciatingly long
time as Slevin and one of the mob bosses get into an exchange
answering each other’s questions with more questions. The attempt at
stylized dialogue ultimately comes off as a self-conscious attempt
on the part of screenwriter Jason Smilovic to out do stylized
writers like Quentin Tarantino than establish a unique, distinctive
voice for the movie.
The story has numerous plot holes, chief of which is one of the mob bosses entrusting Slevin, who we are told has no experience with guns, to kill the son of his rival. Although the story moves along at a brisk pace, the film almost grinds to a halt near the end when it takes almost ten minutes to explain a late plot twist. The plot is also a mishmash of several influences which the film proudly wears on its sleeve, reflexively name dropping mistaken-identity films like North By Northwest.
The actors make the best out of the script they are given, with Kingsley and Freeman providing sterling work as former friends turned enemies. Stanley Tucci also delivers a good performance as a police detective investigating the mob bosses, while Liu provides energy to a role that serves as nothing more than provide story exposition when the plot demands it. The cast seems to be enjoying themselves, and it is this energy that helps keep the audience engaged in the film, long after script logic flies out the window. |