The Punisher
Over the
years, different comics writers have taken different approaches to the
Punisher character. Some have portrayed Frank Castle as a dark avenger, a
murderous vigilante, and a manipulator who maneuvered criminals into
disposing of each other. He has even played for darkly comedic effect. The
good news is that fans of any approach will find something to like in this
movie. The bad news is that since it utilizes all these different approaches
at various points in its two-hour length, the movie comes off feeling
disjointed and unfocused. It's not just the script that's at fault. The
movie seems to have a contradictory stance about the violence shown. Early
scenes showing the massacre of Castle's family is relatively bloodless and
many are shot dead with vary a bullet wound to show for it. However, in the
last act of the film as Castle begins to extract his revenge on Saint and
his men, the blood does begin to flow.
Physically, Jane is a good fit for the role of the Frank Castle. He exudes an air of intensity and borderline madness that the character calls for. He even makes the most when called upon by the script to deliver such turgidly written dialog such as "God's going to sit this one out." As one of Castle’s neighbors, Rebecca Romijn-Stamos does what she can with the equally purple prose she is given ("Don't let your memories kill you.") though her character is so undefined as to be a cipher. Comics fans may not be thrilled with some of the liberties that the film takes with the Punisher's origin. In the comics, Frank Castle's wife and children were killed after accidentally witnessing a mob assassination, completely innocent victims. However, with Frank Castle being made a government agent, there's a lessening of his family's status as completely innocent bystanders. The film’s Castle should know that there was always the possibility of his family being exposed to danger. Such a possibility is even tacitly acknowledged early in the film when Castle and his son discuss the family’s constant moving around. As such, the loss of the family’s innocent bystander status diminishes the amount of potential sympathy we may feel for Castle. |