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Speed Racer
Reviewed
By Rich Drees
Whether or not Speed Racer will work as a movie or not will
probably depend on whether depend on whether the viewer is willing
to give themselves over to the fantastic world that directors Larry
and Andy Wachowski have created. It is a primary-colored, 1960s
retro-futuristic alternate reality where the laws of physics bend
enough to allow for mindboggling races of cars outfitted with
numerous offensive and defensive gadgets that make James Bond’s
Goldfinger Aston Martin look as if it should be taking Miss
Daisy out for a drive. It is a hyperkinetic, visual riot of a world-
half cartoon, half video game, all imagination on overdrive.
Teenage Speed
Racer (Emile Hirsch) is a talented race car driver in a family of
talented racers. His father Pops Racer (John Goodman) is an
independent car designer who is proud that he doesn’t work for any
of the big corporations who sponsor a majority of the professional
racing teams. But as Speed continues to gain success as a driver, he
struggles with the memory of his brother Rex, a talented driver who
left the family after an argument with Pops and who died in a racing
accident soon after. Speed also attracts the attention of one of the
biggest racing sponsors, E. P. Arnold Royalton (Roger Allam). Although initially
interested in racing under their sponsorship, Speed soon learns that
Royalton controls the sport of car racing, predetermining race
winners for their own corporate profits. At the risk of his own
life, Speed, along with his girlfriend Trixie (Christina Ricci), the
rest of the Racer family – Mom (Susan Sarandon), younger brother
Spritle (Paulie Litt) and pet monkey Chim Chim – Pop’s assistant Sparky
(Kick Gurry) and the mysterious Racer X (Matthew Fox), sets out to expose
Royalton and bring honor back to his beloved sport.
Fans of the
original Japanese anime series, which first hit the US shores in the
mid-1970s, will rest assured that the film acknowledges its cartoon
roots in several subtle and not so subtle ways. The plot is a
melding of a couple of continuing story elements from the cartoon.
(Anyone who ever watched the cartoon will not be surprised by the
revelation of who Racer X really is.) Fans may also want to keep an
eye out – Or is that an ear out? – for cameos from Peter Fernandez
and Corrine Orr, the voice actors who played Speed and Trixie, as
well as a host of other characters, in the Americanized version of
the cartoon.
While some may
question why one would set out to do so in the first place, the
Wachowski’s have done a remarkable job of translating the cartoons
visual look to live action. Across the board, the casting captures
the look and mannerisms of the cartoon’s characters. Goodman’s Pops
Racer especially looks as if he stepped out of the cartoon directly
into real life. The cars careen into each other and perform acts of
acrobatic feats that they defy real world physics, but look graceful
and natural doing so.
However, the Wachowski’s aren’t merely aping the visual style of the
original just to ape it. The multiple announcers sliding across the
screen during the film’s opening race not only provide commentary on
Speed’s driving in the contest, but help fill in part of the
backstory about his older brother Rex Racer from a number of
viewpoints. The Wachowski’s then depart from the anime style to show
Speed wrestling with his own feelings about possibly eclipsing the
brother he still idolizes by having a ghostly red car, Speed’s
memory of his brother, racing alongside Speed. Intercut with
flashbacks to a young Speed spending time with Rex, the sequence is
at once exciting and informative. Much of the foundations for the
film’s relationships and personal conflicts are set up here and the
Wachowskis manage to impart it all without it ever becoming just
clunky exposition.
But just
because Speed Racer is a live action version of a cartoon series, do
not make the mistake in thinking that it is a children’s movie. It
is a family film. Dads will enjoy the racing, and those of a certain
age will perhaps have some nostalgic memories of watching the show
when they were kids. Moms can enjoy the story’s strong sense of
family and the lessons that it imparts. And though there may be one
or two spots where the film may slow a bit for the youngest of
audiences, there’s enough excitement in the film to keep the
attention of most children. The story weaves and turns much like the
crazy race courses Speed finds himself on, but it never becomes so
serpentine that it looses its audience. It’s a rare film that even
attempts to do as much as Speed Racer does, and an even rarer
film that succeeds at doing so. Speed Racer is one of those
successes. |