Peter Jackson Produced West Memphis Three Doc Wraps

Over the past couple of years, Peter Jackson has been preparing to shoot and is now currently in production on his long-anticipated adaption of the Hobbit. But he was also working on another project – co-producing a documentary on the West Memphis Three. That film, West Of Memphis, has just wrapped.

Jackson and his long-time producing partner Fran Walsh have collaborated with first-time filmmaker Damien Echols and his wife Lorri Davis to produce the film which looks at the conviction, trial and then ultimate exoneration of three men of the murder of the 1993 murder of three wight-year-old boys. It should be noted that the film has the potential of having a unique insider’s look at the case as Echols was one of the three accused.

There are more details in the press release that was sent out yesterday-

WELLINGTON, New Zealand (December 4, 2011) – WingNut Films proudly announced today the completion of WEST OF MEMPHIS – a documentary film chronicling the untold story behind one of the most infamous miscarriages of justice in American history; the story of an extraordinary and desperate fight to stop the State of Arkansas from killing an innocent man.

The film has been produced by first-time filmmakers Damien Echols and Lorri Davis, in collaboration with the Academy Award-winning team of Peter Jackson and Fran Walsh. Jackson and Walsh became involved in 2005, when they helped to re-invigorate the then stagnant case by funding a new investigation. The film has been written and directed by Academy Award-nominated filmmaker, Amy Berg (Deliver Us From Evil).

Starting with a searing examination of the police investigation into the 1993 murders of three eight-year-old boys – Christopher Byers, Steven Branch and Michael Moore in the small town of West Memphis, Arkansas, the film goes on to reveal hitherto unknown evidence surrounding the arrest and conviction of the other three victims of this shocking crime – Damien Echols, Jason Baldwin and Jessie Misskelley Jr.; all three of whom were teenagers at the time of their arrests and all three of whom spent 18 years and 17 days in prison for crimes they did not commit.

How the documentary came in to being is in itself a key part of the story of Damien Echols’ fight to save his own life; it reveals how close he and his wife Lorri Davis, along with his legal team, friends and supporters, came to losing that battle.

As Echols has stated: “September 2008 was one of my lowest points. Judge David Burnett had refused to hear any new evidence – this included new DNA testing… as if proof of our innocence was somehow irrelevant. I thought we had come to the end of the line, that there was nowhere else to go. It was at this point that Fran and Peter suggested that maybe there was another way of fighting back… that if the evidence was not going to be allowed to be heard in a court of law, it would be heard in another forum. That was when they said to me and Lorri, ‘We should make a film’.”

WEST OF MEMPHIS reveals the exhaustive research that uncovered startling new findings pointing to the innocence of Echols, Baldwin and Misskelley Jr. and includes new forensic evidence that points to other suspects that the West Memphis police chose to overlook. It was this new evidence as highlighted in the documentary that ultimately prompted the Arkansas Supreme Court to overturn previous denials of appeals and allowed for a new evidentiary hearing to proceed.

Faced with the very real prospect of a new trial being granted and in order to avoid potentially large compensation claims for wrongful imprisonment, the State of Arkansas struck a deal with the West Memphis Three, as Echols, Baldwin and Misskelley Jr. had come to be known, whereby the men agreed to enter an Alford plea; an unusual and rarely used legal maneuver through which the defendant is able to assert their innocence whilst accepting it is in their best interest to allow a guilty plea to be entered against them, in exchange for their freedom. The film follows these events and examines how the State Prosecutor’s declaration that the case is now closed, leaves three innocent men convicted of a crime they did not commit and a triple child murderer still at large.

Director Berg says, “This film represents the trial these men didn’t have. With the support of Damien and Lorri, along with unprecedented access to those closest to the case, we were able to make a film that shows the inner workings of the defense – the investigation, research, and appeals process, in a way that has never been shown before. This film began as a study about innocence; but I feel it goes beyond that now – it asks the question, what value do we, as a society, place on the truth?”

Says Jackson, “Seven years ago, Fran and I began this journey with Damien and Lorri, having no idea where it would lead. We now realise, that journey is not over, that even though these men have been released from prison – they are not free. Our hope is that continuing evidence testing and further investigation will lead to the unmasking of the killer of these children and that one day Damien, Jason and Jessie will be exonerated.”

In addition to never before seen footage about the case and the trial, WEST OF MEMPHIS includes interviews with Echols, Davis, Baldwin, Misskelley Jr. and Jackson as well as interviews with friends and families of the victims, defense lawyers, state prosecutors, local law enforcement, judges, forensic experts, journalists, surprise witnesses and prominent supporters including Eddie Vedder, Henry Rollins and Natalie Maines.

Original music for the film has been written by acclaimed songwriters and composers Nick Cave and Warren Ellis.

The film has been Executive Produced by Ken Kamins who will be leading discussions with potential distributors.

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About Rich Drees 7219 Articles
A film fan since he first saw that Rebel Blockade Runner fleeing the massive Imperial Star Destroyer at the tender age of 8 and a veteran freelance journalist with twenty-five years experience writing about film and pop culture. He is a member of the Philadelphia Film Critics Circle.
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