{"id":18504,"date":"2012-02-25T07:34:49","date_gmt":"2012-02-25T12:34:49","guid":{"rendered":"http:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/?p=18504"},"modified":"2022-07-22T13:41:11","modified_gmt":"2022-07-22T17:41:11","slug":"oscars-2012-know-your-nomineesbest-picture","status":"publish","type":"post","link":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/2012\/02\/25\/oscars-2012-know-your-nomineesbest-picture\/","title":{"rendered":"OSCARS 2012: Know Your Nominees:Best Picture"},"content":{"rendered":"

\"\"<\/a>In the days leading up to the 84th Academy Awards, FilmBuffOnline will be offering profiles on all the nominees in the major categories. Some may be well know, others might be new to you, but if you need a refresher on these talented nominees, here it is.<\/em><\/p>\n

The Artist<\/h1>\n

\"\"<\/a>Producer<\/strong>: Thomas Langmann<\/p>\n

Release date: <\/strong>November 25, 2011<\/p>\n

Box office gross as of February 1, 2011; <\/strong>$41,169,740 (Domestic: $17,030,695, Foreign: $24,139,045)<\/p>\n

IMDB<\/a> Synopsis:<\/strong> Hollywood, 1927: As silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he sparks with Peppy Miller, a young dancer set for a big break.<\/p>\n

Number of Oscar Nominations: <\/strong>10 (Best Motion Picture of the Year; Best Achievement in Art Direction; Best Achievement in Cinematography;Best Achievement in Costume Design; Best Achievement in Directing; Best Achievement in Film Editing; Best Achievement in Music Written for Motion Pictures, Original Score; Best Performance by an Actor in a Leading Role; Best Performance by an Actress in a Supporting Role; Best Writing, Original Screenplay)<\/p>\n

Other honors for this film<\/strong>:<\/p>\n

Won<\/strong>, Best Film, The\u00a02011 Washington DC Film Critics Association Awards.<\/p>\n

Won, <\/strong>Best Picture, New York Film Critics Circle.<\/p>\n

Won, <\/strong>Best Picture, Boston Society of Film Critics.<\/p>\n

Won, <\/strong>Best Picture, 2012 Critics’ Choice Awards.<\/p>\n

Won, <\/strong>Best Picture-Musical or Comedy, The 69th Annual Golden Globe Awards.<\/p>\n

Won, <\/strong>Best Feature Film, 2012 Producers Guild Awards.<\/p>\n

Won<\/strong>, Best Film, 2012 BAFTA Awards.<\/p>\n

Nominated, Best Feature, 2012 Film Independent Spirit Awards.<\/p>\n

Rotten Tomatoes Tomatometer: <\/strong>97%<\/a>\u00a0(178 Positive Reviews, 5 Negative)<\/p>\n

Rotten Tomatoes Critical Consensus: <\/strong>A crowd-pleasing tribute to the magic of silent cinema, The Artist is a clever, joyous film with delightful performances and visual style to spare.<\/p>\n

Dissenting Opinion: <\/strong>“Ignores everything that’s fascinating and memorable about the silent-film era, focusing instead on a patchwork of general knowledge, so eroded of inconvenient facts that it doesn’t even qualify as a roman \u00e0 clef.”–Jamie N. Christley, Slant Magazine.<\/a><\/p>\n

Official Site: http:\/\/weinsteinco.com\/sites\/the-artist\/<\/a><\/strong><\/p>\n

The Descendants<\/h1>\n

\"\"<\/a>Producers<\/strong>: Jim Burke, Alexander Payne, Jim Taylor<\/p>\n

Release date: <\/strong>November 16, 2011<\/p>\n

Box office gross as of February 1, 2011; <\/strong>$86,086,672 (Domestic: $59,186,672, Foreign: $26,900,000)<\/p>\n

IMDB<\/a> Synopsis:<\/strong> A land baron tries to re-connect with his two daughters after his wife suffers a boating accident.<\/p>\n

Number of Oscar Nominations:\u00a0<\/strong>5 (Best Motion Picture of the Year;\u00a0Best Achievement in Directing; Best Achievement in Film Editing; Best Performance by an Actor in a Leading Role; Best Writing, Adapted Screenplay)<\/p>\n

Other honors for this film<\/strong>:<\/p>\n

Nominated, Best Film, The 2011 Washington DC Film Critics Association Awards.<\/p>\n

Won, <\/strong>Best Picture, 37th Annual Los Angeles Film Critics Association Awards.<\/p>\n

Nominated, <\/strong>Best Picture, 2012 Critics’ Choice Awards.<\/p>\n

Won, <\/strong>Best Picture-Drama, The 69th Annual Golden Globe Awards.<\/p>\n

Nominated, <\/strong>Best Feature Film, 2012 Producers Guild Awards.<\/p>\n

Nominated, Best Film, 2012 BAFTA Awards.<\/p>\n

Rotten Tomatoes Tomatometer: <\/strong>90% <\/a>\u00a0(192 Positive Reviews, 22 Negative)<\/p>\n

Rotten Tomatoes Critical Consensus: <\/strong>Funny, moving, and beautifully acted, The Descendants captures the unpredictable messiness of life with eloquence and uncommon grace.<\/p>\n

Dissenting Opinion: <\/strong>“From beginning to end, everything that happens in “The Descendants” feels false.”–Chris Hewitt, St. Paul Pioneer Press<\/a>.<\/p>\n

Official Site: http:\/\/www.foxsearchlight.com\/thedescendants\/<\/a><\/strong><\/p>\n

Extremely Loud & Incredibly Close<\/h1>\n

\"\"<\/a>Producer<\/strong>: Scott Rudin<\/p>\n

Release date:\u00a0<\/strong>December 25, 2011<\/p>\n

Box office gross as of February 1, 2011; <\/strong>$21,960,998 (Domestic only)<\/p>\n

IMDB<\/a> Synopsis:<\/strong> A nine-year-old amateur inventor, Francophile, and pacifist searches New York City for the lock that matches a mysterious key left behind by his father, who died in the World Trade Center on September 11, 2001.<\/p>\n

Number of Oscar Nominations: <\/strong>2 (Best Motion Picture of the Year; Best Performance by an Actor in a Supporting Role)<\/p>\n

Other honors for this film<\/strong>:<\/p>\n

Nominated, Best Picture, 2012 Critics’ Choice Awards.<\/p>\n

Rotten Tomatoes Tomatometer: <\/strong>46%<\/a> (59 Positive Reviews,\u00a069 Negative)<\/p>\n

Rotten Tomatoes Critical Consensus: <\/strong>Extremely Loud & Incredibly Close has a story worth telling, but it deserves better than the treacly and pretentious treatment director Stephen Daldry gives it.<\/p>\n

Dissenting Opinion: <\/strong>“It’s a unique journey that’s equal parts sympathy card and celebration of human resilience.”–Richard Roeper, RichardRoeper.com<\/a>.<\/p>\n

Official Site: http:\/\/extremelyloudandincrediblyclose.warnerbros.com\/index.html<\/a><\/strong><\/p>\n

The Help<\/strong><\/h1>\n

\"\"<\/a>Producers<\/strong>: Brunson Green, Chris Columbus, Michael Barnathan<\/p>\n

Release date: <\/strong>August 10, 2011<\/p>\n

Box office gross as of February 1, 2011; <\/strong>$205,313,398 (Domestic: $193,613.398, Foreign: $35,700,00)<\/p>\n

IMDB<\/a> Synopsis:<\/strong> An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maid’s point of view on the white families for which they work, and the hardships they go through on a daily basis.<\/p>\n

Number of Oscar Nominations:\u00a0<\/strong>4 (Best Motion Picture of the Year; Best Performance by an Actress in a Leading Role; Best Performance by an Actress in a Supporting Role x2)<\/p>\n

Other honors for this film<\/strong>:<\/p>\n

Nominated, <\/strong>Best Picture, 2012 Critics’ Choice Awards.<\/p>\n

Nominated, <\/strong>Best Picture-Drama, The 69th Annual Golden Globe Awards.<\/p>\n

Nominated, <\/strong>Best Feature Film, 2012 Producers Guild Awards.<\/p>\n

Nominated, Best Film, 2012 BAFTA Awards.<\/p>\n

Rotten Tomatoes Tomatometer: <\/strong>76%<\/a> (149 Positive Reviews,\u00a047 Negative)<\/p>\n

Rotten Tomatoes Critical Consensus: <\/strong>Though arguably guilty of glossing over its racial themes, The Help rises on the strength of its cast — particularly Viola Davis, whose performance is powerful enough to carry the film on its own.<\/p>\n

Dissenting Opinion: <\/strong>“”The Help” comes out on the losing end of the movies’ social history. The best film roles three black women will have all year require one of them to clean Ron Howard’s daughter’s house. It’s self-reinforcing movie imagery.”–Wesley Morris. Boston Globe<\/a>.<\/p>\n

Official Site: http:\/\/www.dreamworksstudios.com\/films\/the-help<\/a><\/strong><\/p>\n

Hugo<\/h1>\n

\"\"<\/a>Producers<\/strong>: Graham King, Martin Scorsese<\/p>\n

Release date: <\/strong>November 23, 2011<\/p>\n

Box office gross as of February 1, 2011; <\/strong>$90,001,874 (Domestic: $59,301,874, Foreign: $30,700,000)<\/p>\n

IMDB<\/a> Synopsis:<\/strong> Set in 1930s Paris, an orphan who lives in the walls of a train station is wrapped up in a mystery involving his late father and an automaton.<\/p>\n

Number of Oscar Nominations: <\/strong>11 (Best Motion Picture of the Year; Best Achievement in Art Direction; Best Achievement in Cinematography;Best Achievement in Costume Design; Best Achievement in Directing; Best Achievement in Film Editing; Best Achievement in Music Written for Motion Pictures, Original Score; Best Achievement in Sound Editing; Best Achievement in Sound Mixing; Best Achievement in Visual Effects; Best Writing, Adapted Screenplay)<\/p>\n

Other honors for this film<\/strong>:<\/p>\n

Nominated, Best Film, The 2011 Washington DC Film Critics Association Awards.<\/p>\n

Won, <\/strong>Best Film, National Board of Review.<\/p>\n

Nominated, <\/strong>Best Picture, 2012 Critics’ Choice Awards.<\/p>\n

Nominated, <\/strong>Best Picture-Drama, The 69th Annual Golden Globe Awards.<\/p>\n

Nominated, <\/strong>Best Feature Film, 2012 Producers Guild Awards.<\/p>\n

Rotten Tomatoes Tomatometer: <\/strong>94%<\/a> (177 Positive Reviews,\u00a011 Negative)<\/p>\n

Rotten Tomatoes Critical Consensus: <\/strong>Hugo is an extravagant, elegant fantasy with an innocence lacking in many modern kids’ movies, and one that emanates an unabashed love for the magic of cinema.<\/p>\n

Dissenting Opinion: <\/strong>“It’s as if David Copperfield wandered into a History of Film lecture. Maybe it isn’t a great idea to wait till you’re nearly 70 to make your first kid movie.”–Kyle Smith, New York Post<\/a>.<\/p>\n

Official Site: http:\/\/www.hugomovie.com\/<\/a><\/strong><\/p>\n

Midnight In Paris<\/h1>\n

\"\"<\/a>Producers:<\/strong> Letty Aronson, Stephen Tenenbaum<\/p>\n

Release date: <\/strong>May 20, 2011<\/p>\n

Box office gross as of February 1, 2011; <\/strong>$148,333,649 (Domestic: $56,473,065, Foreign: $91,860,584)<\/p>\n

IMDB<\/a> Synopsis:<\/strong> A romantic comedy about a family traveling to the French capital for business. The party includes a young engaged couple forced to confront the illusion that a life different from their own is better.<\/p>\n

Number of Oscar Nominations:\u00a0<\/strong>4 (Best Motion Picture of the Year; Best Achievement in Directing; Best Achievement in Art Direction; Best Writing, Original Screenplay)<\/p>\n

Other honors for this film<\/strong>:<\/p>\n

Nominated, <\/strong>Best Picture, 2012 Critics’ Choice Awards.<\/p>\n

Nominated, Best Picture-Musical or Comedy, The 69th Annual Golden Globe Awards.<\/p>\n

Nominated, <\/strong>Best Feature Film, 2012 Producers Guild Awards.<\/p>\n

Rotten Tomatoes Tomatometer: <\/strong>93%<\/a> (179 Positive Reviews,\u00a014 Negative)<\/p>\n

Rotten Tomatoes Critical Consensus: <\/strong>It may not boast the depth of his classic films, but the sweetly sentimental Midnight in Paris is funny and charming enough to satisfy Woody Allen fans.<\/p>\n

Dissenting Opinion: <\/strong>“Pure Woody Allen. Which is not to say great or even good Woody, but a distillation of the filmmaker’s passions and crotchets, and of his tendency to pass draconian judgment on characters the audience is not supposed to like.”–Richard Corliss, Time Magazine.<\/p>\n

Official Site: http:\/\/www.sonyclassics.com\/midnightinparis\/<\/a><\/strong><\/p>\n

Moneyball<\/h1>\n

\"\"<\/a>Producers:<\/strong> Michael De Luca, Rachael Horovitz, Brad Pitt<\/p>\n

Release date:\u00a0<\/strong>September 23, 2011<\/p>\n

Box office gross as of February 1, 2011; <\/strong>$106,781,156 (Domestic: $75,605,492, Foreign: $31,175,664)<\/p>\n

IMDB<\/a> Synopsis:<\/strong> The story of Oakland A’s general manager Billy Beane’s successful attempt to put together a baseball club on a budget by employing computer-generated analysis to draft his players.<\/p>\n

Number of Oscar Nominations:\u00a0<\/strong>7 (Best Motion Picture of the Year; Best Achievement in Film Editing; Best Achievement in Sound Mixing; Best Writing, Adapted Screenplay;Best Performance by an Actor in a Leading Role; Best Performance by an Actor in a Supporting Role)<\/p>\n

Other honors for this film<\/strong>:<\/p>\n

Nominated, <\/strong>Best Picture, 2012 Critics’ Choice Awards.<\/p>\n

Nominated, <\/strong>Best Picture-Drama, The 69th Annual Golden Globe Awards.<\/p>\n

Nominated, <\/strong>Best Feature Film, 2012 Producers Guild Awards.<\/p>\n

Rotten Tomatoes Tomatometer: <\/strong>95%<\/a> (203 Positive Reviews, 11 Negative)<\/p>\n

Rotten Tomatoes Critical Consensus: <\/strong>Director Bennett Miller, along with Brad Pitt and Jonah Hill, take a niche subject and turn it into a sharp, funny, and touching portrait worthy of baseball lore.<\/p>\n

Dissenting Opinion: <\/strong>“Those who enter the cinema unstirred by either the sport or by the joys of stats are unlikely to come out converts.”–Catherine Shoard, The Guardian<\/a>.<\/p>\n

Official Site: http:\/\/www.moneyball-movie.com\/site\/<\/a><\/strong><\/p>\n

The Tree of Life<\/h1>\n

\"\"<\/a>Producers:<\/strong> Sarah Green, Bill Pohlad, Dede Gardner, Grant Hill<\/p>\n

Release date: <\/strong>May 27, 2011<\/p>\n

Box office gross as of February 1, 2011; <\/strong>$54,303,319 (Domestic: $13,303,319 , Foreign: $41,000,000)<\/p>\n

IMDB<\/a> Synopsis:<\/strong> The story centers around a family with three boys in the 1950s. The eldest son witnesses the loss of innocence.<\/p>\n

Number of Oscar Nominations:\u00a0<\/strong>3 (Best Motion Picture of the Year; Best Achievement in Cinematography; Best Achievement in Directing)<\/p>\n

Other honors for this film<\/strong>:<\/p>\n

Runner-Up, Best Picture, 37th Annual Los Angeles Film Critics Association Awards.<\/p>\n

Won, <\/strong>Best Picture, San Francisco Film Critics Circle.<\/p>\n

Nominated, <\/strong>Best Picture, 2012 Critics’ Choice Awards.<\/p>\n

Rotten Tomatoes Tomatometer: <\/strong>84%<\/a> (203 Positive Reviews,\u00a038 Negative)<\/p>\n

Rotten Tomatoes Critical Consensus: <\/strong>Terrence Malick’s singularly deliberate style may prove unrewarding for some, but for patient viewers, Tree of Life is an emotional as well as visual treat.<\/p>\n

Dissenting Opinion: <\/strong>“[Malick is] a meticulous visionary who knows where to place a camera, but he hasn’t a clue about how to tell a story with simplicity and coherence.”–Rex Reed, New York Observer<\/a>.<\/p>\n

Official Site: http:\/\/www.foxsearchlight.com\/thetreeoflife\/<\/a><\/strong><\/p>\n

War Horse<\/strong><\/h1>\n

\"\"<\/a>Producers:<\/strong> Steven Spielberg, Kathleen Kennedy<\/p>\n

Release date: <\/strong>December 25, 2011<\/p>\n

Box office gross as of February 1, 2011; <\/strong>$111,380,706 (Domestic: $75,980,706 , Foreign: $35,400,000)<\/p>\n

IMDB<\/a> Synopsis:<\/strong> Young Albert enlists to service in WWI after his beloved horse, Joey, is sold to the cavalry. Albert’s hopeful journey takes him out of England and across Europe as the war rages on.<\/p>\n

Number of Oscar Nominations:\u00a0<\/strong>6 (Best Motion Picture of the Year; Best Achievement in Art Direction; Best Achievement in Cinematography; Best Achievement in Music Written for Motion Pictures, Original Score; Best Achievement in Sound Editing; Best Achievement in Sound Mixing)<\/p>\n

Other honors for this film<\/strong>:<\/p>\n

Nominated, <\/strong>Best Picture, 2012 Critics’ Choice Awards.<\/p>\n

Nominated, <\/strong>Best Picture-Drama, The 69th Annual Golden Globe Awards.<\/p>\n

Nominated, <\/strong>Best Feature Film, 2012 Producers Guild Awards.<\/p>\n

Rotten Tomatoes Tomatometer: <\/strong>76%<\/a> (149 Positive Reviews,\u00a046 Negative)<\/p>\n

Rotten Tomatoes Critical Consensus: <\/strong>Technically superb, proudly sentimental, and unabashedly old-fashioned, War Horse is an emotional drama that tugs the heartstrings with Spielberg’s customary flair.<\/p>\n

Dissenting Opinion: <\/strong>“It’s overlong, painfully earnest and sometimes even hokey.”–Christy Lemire, Associated Press<\/a>.<\/p>\n

Official Site: http:\/\/www.warhorsemovie.com\/<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

A cheat sheet to each of the Best Picture nominees. <\/div>\n

[click for more]<\/a><\/p>\n","protected":false},"author":4,"featured_media":18505,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_ef_editorial_meta_date_first-draft-date":"","_ef_editorial_meta_paragraph_assignment":"","_ef_editorial_meta_checkbox_needs-photo":"","_ef_editorial_meta_number_word-count":"","footnotes":""},"categories":[3185,84],"tags":[4550,4521,4747,213,4740,757,4748,4738,3557,4749,4534,4736,4737,4750,4728,4742,920,4741,4744,4230,4332,4745,4746,4739,4743,1065,4630,4520,4162,3344,4735,2733],"series":[],"class_list":{"0":"post-18504","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-featured-stories","8":"category-news","9":"tag-2012-academy-awards","10":"tag-alexander-payne","11":"tag-bill-pohlad","12":"tag-brad-pitt","13":"tag-brunson-green","14":"tag-chris-columbus","15":"tag-dede-gardner","16":"tag-extremely-loud-incredibly-close","17":"tag-graham-king","18":"tag-grant-hill","19":"tag-hugo","20":"tag-jim-burke","21":"tag-jim-taylor","22":"tag-kathleen-kennedy","23":"tag-know-your-nominees","24":"tag-letty-aronson","25":"tag-martin-scorsese","26":"tag-michael-barnathan","27":"tag-michael-de-luca","28":"tag-midnight-in-paris","29":"tag-moneyball","30":"tag-rachael-horovitz","31":"tag-sarah-green","32":"tag-scott-rudin","33":"tag-stephen-tenenbaum","34":"tag-steven-spielberg","35":"tag-the-artist","36":"tag-the-descendants","37":"tag-the-help","38":"tag-the-tree-of-life","39":"tag-thomas-langmann","40":"tag-war-horse"},"aioseo_notices":[],"nelio_content":{"autoShareEndMode":"never","automationSources":{"useCustomSentences":false,"customSentences":[]},"efiAlt":"","efiUrl":"","followers":[2,4],"highlights":[],"isAutoShareEnabled":false,"networkImageIds":[],"permalinkQueryArgs":[],"series":[],"suggestedReferences":[]},"_links":{"self":[{"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/posts\/18504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/comments?post=18504"}],"version-history":[{"count":0,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/posts\/18504\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/media\/18505"}],"wp:attachment":[{"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/media?parent=18504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/categories?post=18504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/tags?post=18504"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/series?post=18504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}