{"id":48496,"date":"2021-01-29T17:51:25","date_gmt":"2021-01-29T22:51:25","guid":{"rendered":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/?p=48496"},"modified":"2021-01-29T18:32:56","modified_gmt":"2021-01-29T23:32:56","slug":"new-cloverfield-film-in-development","status":"publish","type":"post","link":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/2021\/01\/29\/new-cloverfield-film-in-development\/","title":{"rendered":"New CLOVERFIELD Film In Development At Paramount"},"content":{"rendered":"

\"Cloverfield\"<\/a><\/p>\n

Paramount and J J Abrams is looking to resurrect the Cloverfield<\/strong> franchise and have just hired a writer to do so.<\/p>\n

Joe Barton, who is also showrunning Warner Brothers’s The Batman<\/strong> Gotham City police force spinoff series for HBO Max, has been hired to write a new installment in the science-fiction monster franchise, according to the Hollywood Reporter<\/a>.<\/p>\n

Will it be a direct sequel to the original film or something just loosely connected thematically? Given the veils of secrecy around previous franchise installments don’t expect to hear news of that sort for a while. The Hollywood Reporter does say that unlike the original, this new film will not be a found footage style film.<\/p>\n

The original Cloverfield<\/strong>, which depicted a group of twenty-somethings trying to flee Manhattan in the midst of a giant monster attack, captured the public’s imagination with its allegorical retelling of the 9\/11 terror attacks. Made on a small budget of just $25 million, the film ultimately grossed $172 million worldwide. That box office was driven in part by a marketing campaign that gave people small mysteries relating to the film to solve.<\/p>\n

The film spawned two sequels – 10 Cloverfield Lane<\/strong> and The Cloverfield Paradox<\/strong>. Both films were originally developed as their own unique projects with the studio folding them under the Cloverfield moniker simply because they shared some science-fiction and horror tropes. 10 Cloverfield Lane<\/strong> started life as a screenplay titled The Cellar<\/strong> and went into production under the title Veranda<\/strong>. The Cloverfield Paradox<\/strong> originally started life as the science-fiction horror story The God Particle<\/strong>, but got slapped with the Cloverfield<\/strong> tag and a few reshoots to reinforce that when Paramount realized that they may have had a dud on their hands. They quietly sold the film to Netflix, who surprise premiered it right after the 2018 Super Bowl. It was a move that generated a brief burst of excitement for the film, until everyone saw it and realized how bad it actually was.<\/p>\n

With the failure of The Cloverfield Paradox<\/strong>, it seemed as if the franchise was going on hiatus for while. At least until someone came along with a good enough idea to excite Abrams and Paramount about a new film. And apparently that someone is Joe Barton.<\/p>\n","protected":false},"excerpt":{"rendered":"

The science-fiction horror franchise is coming back from the dead courtesy of HBO Max’s THE BATMAN spinoff series showrunner.<\/div>\n

[click for more]<\/a><\/p>\n","protected":false},"author":2,"featured_media":42737,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_ef_editorial_meta_date_first-draft-date":"","_ef_editorial_meta_paragraph_assignment":"","_ef_editorial_meta_checkbox_needs-photo":"","_ef_editorial_meta_number_word-count":"","footnotes":""},"categories":[84],"tags":[810,1059,11009],"series":[],"class_list":{"0":"post-48496","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-news","8":"tag-cloverfield","9":"tag-j-j-abrams","10":"tag-joe-barton"},"aioseo_notices":[],"nelio_content":{"autoShareEndMode":"never","automationSources":{"useCustomSentences":false,"customSentences":[]},"efiAlt":"","efiUrl":"","followers":[2],"highlights":[],"isAutoShareEnabled":false,"networkImageIds":[],"permalinkQueryArgs":[],"series":[],"suggestedReferences":[]},"_links":{"self":[{"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/posts\/48496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/comments?post=48496"}],"version-history":[{"count":0,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/posts\/48496\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/media\/42737"}],"wp:attachment":[{"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/media?parent=48496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/categories?post=48496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/tags?post=48496"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/series?post=48496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}