{"id":50656,"date":"2022-07-29T14:44:39","date_gmt":"2022-07-29T18:44:39","guid":{"rendered":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/?p=50656"},"modified":"2022-08-02T17:12:22","modified_gmt":"2022-08-02T21:12:22","slug":"max-headroom-reboot-matt-frewer","status":"publish","type":"post","link":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/2022\/07\/29\/max-headroom-reboot-matt-frewer\/","title":{"rendered":"MAX HEADROOM Reboot With Star Matt Frewer In Development At AMC"},"content":{"rendered":"<p><a href=\"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-content\/uploads\/2022\/07\/max-headroom.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-50657\" src=\"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-content\/uploads\/2022\/07\/max-headroom.jpg\" alt=\"\" width=\"678\" height=\"340\" srcset=\"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-content\/uploads\/2022\/07\/max-headroom.jpg 678w, https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-content\/uploads\/2022\/07\/max-headroom-339x170.jpg 339w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><\/a><\/p>\n<p>Network 23&#8217;s biggest star may be coming back on the air, live and direct.<\/p>\n<p>AMC networks is reportedly developing a reboot of the 1980s TV series <em>Max Headroom<\/em>, with star Matt Frewer attached to reprise his role as the titular artificial intelligence television personality.<\/p>\n<p><a href=\"https:\/\/deadline.com\/2022\/07\/max-headroom-reboot-matt-frewer-star-amc-networks-christopher-cantwell-amp-elijah-wood-spectrevision-1235081130\/\" target=\"_blank\" rel=\"nofollow noopener\">Deadline<\/a> is reporting that <em>Halt And Catch Fire<\/em> co-creator Christopher Cantwell will be writing the adaptation and is attached to serve as showrunner for the project. Elijah Wood and Daniel Noah\u2019s SpectreVision and All3Media are producing the project.<\/p>\n<p>The 1980s series centered on the exploits of Edison Carter (also Frewer), a reporter for Network 23 in a somewhat dystopian time some &#8220;20 minutes into the future.&#8221; While on a particular assignment, his brain is scanned into an artificial intelligence program creating Max Headroom, a wisecracking computerized personality who quickly becomes Network 23&#8217;s biggest star as well as someone who helps Edison with his investigations.<\/p>\n<p>The character of Max Headroom was the creation of British music video directors George Stone, Annabel Jankel and Rocky Morton, as a new wave chat show presenter on Britain&#8217;s Channel 4. The character&#8217;s backstory was given in a TV movie, <em>Max Headroom: 20 Minutes Into The Future<\/em>, which aired before the chat show premiered. US cable channel Showtime picked up the series, where the character&#8217;s popularity exploded across the country. Some commercial endorsements followed before ABC commissioned their series, a more straight forward science fiction drama.<\/p>\n<p><em>Max Headroom<\/em> only ran for two short seasons on ABC between 1987 and 1988, but is considered a landmark for several reasons. It was the first television series to bring the emerging cyberpunk subgenre of science-fiction to people&#8217;s living rooms on a weekly basis. Thematically, it used its near-future world of television networks competing for ratings at all costs to satirize the then-current state of the industry, as well as politics and other aspects of society.<\/p>\n<p>Given the media landscape of today, this certainly feels like a good time for a revival of the show. The original series often dealt with themes of political corruption, unethical big business practices and media manipulation. It will certainly be interesting to see today&#8217;s information landscape, including the emergence of social media, filtered through the show&#8217;s satiric lens. Hopefully the new show will retain the original&#8217;s stunning future-noir, <strong>Blade Runner<\/strong>-inspired aesthetic.<\/p>\n<p><a href=\"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-content\/uploads\/2022\/07\/max-headroom-cast.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-50658\" src=\"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-content\/uploads\/2022\/07\/max-headroom-cast.jpg\" alt=\"Max Headroom\" width=\"678\" height=\"340\" srcset=\"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-content\/uploads\/2022\/07\/max-headroom-cast.jpg 678w, https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-content\/uploads\/2022\/07\/max-headroom-cast-339x170.jpg 339w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\">The iconic 1980s cyberpunk satire could be coming back to television via AMC Networks.<\/div>\n<p> <a class=\"mh-excerpt-more\" href=\"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/2022\/07\/29\/max-headroom-reboot-matt-frewer\/\" title=\"MAX HEADROOM Reboot With Star Matt Frewer In Development At AMC\">[click for more]<\/a><\/p>\n","protected":false},"author":2,"featured_media":50657,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_ef_editorial_meta_date_first-draft-date":"","_ef_editorial_meta_paragraph_assignment":"","_ef_editorial_meta_checkbox_needs-photo":"","_ef_editorial_meta_number_word-count":"","footnotes":""},"categories":[10285],"tags":[11432],"series":[],"class_list":{"0":"post-50656","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-tv-news","8":"tag-max-headroom"},"aioseo_notices":[],"nelio_content":{"autoShareEndMode":"never","automationSources":{"useCustomSentences":false,"customSentences":[]},"efiAlt":"","efiUrl":"","followers":[2],"highlights":[],"isAutoShareEnabled":false,"networkImageIds":[],"permalinkQueryArgs":[],"series":[],"suggestedReferences":[]},"_links":{"self":[{"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/posts\/50656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/comments?post=50656"}],"version-history":[{"count":0,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/posts\/50656\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/media\/50657"}],"wp:attachment":[{"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/media?parent=50656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/categories?post=50656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/tags?post=50656"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/www.filmbuffonline.com\/FBOLNewsreel\/wordpress\/wp-json\/wp\/v2\/series?post=50656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}