It\u2019s always important for a movie to open with a scene that grips its audience, pulling them into its celluloid world for the rest of its runtime.<\/p>\n
Although not meant for general consumption, screenplays need to do the same job to whomever is reading them. A junior executive wading through dozens of scripts, hoping to find the next big blockbuster, doesn\u2019t have time to plow through all 100-plus pages of every script in their slush piles. A screenwriter has maybe ten pages at most to grab the attention of a reader who may hold the script\u2019s fate in their hands.<\/p>\n
Perhaps the best example of this that I\u2019ve come across in a while is script for the opening scene of writer\/director Robert Rodriguez\u2019s segment of Grindhouse<\/strong>, a zombie thriller called Planet Terror<\/strong>. (Yes, what a surprise. We’re talking about Grindhouse<\/strong>. Again.) In just a few sentences, Rodriguez sketches out his protagonist Cherry, giving us some tantalizing information about her that will be explored through the film. And than he hits us with that last sentence, almost daring us not to continue reading.<\/p>\n 1. INT. SKIP\u2019S GO-GO-GO DANCE CLUB – STAGE \u2013 NIGHT<\/p>\n Over titles, we are close on a pair of red go-go boots as the woman wearing them strides confidently onto the well worn stage.<\/p>\n This is CHERRY, a go-go dancer. She\u2019s too good at what she does, meaning she should think about doing something else.<\/p>\n Oddly, tears run down her face through her dance.<\/p>\n Side Note:<\/strong> The next time Cherry does this dance, people will die.<\/p>\n","protected":false},"excerpt":{"rendered":"