For years, FBOL Comic Book Film Editor Bill Gatevackes defended them from people predicting their doom. But now, Bill is questioning if they might be right. [click for more]
Snubs have been the trademark for IN MEMORIAM since its inception in 1993. This year’s entry is the worst one of all. Maybe it’s time for the Oscars to stop their half-assed tributes to their deceased members. [click for more]
The new bosses are getting bad press for cancelling BATGIRL. However, it is a case of them continuing Warners’ mismanagement of their DC Comics films. [click for more]
The winners and losers took a back seat as a quasi-beatdown got the world talking. [click for more]
2021 was the year films tried to get back to normal. What do the highest grossing films tell us how Hollywood should proceed in a perpetual pandemic world? [click for more]
Contractually, WATCHMEN should belong to Alan Moore and Dave Gibbons> Did DC Comics screw them over, or did changing way comics are sold stab them in the back? [click for more]
COVID-19 forced The Oscars to do a lot of things differently, but old issues reared their ugly head nonetheless. [click for more]
R-Rated superhero movies are all the rage. But Warner Brothers is showing that just because you can make them doesn’t mean you should. [click for more]
Both JOKER and the paintings of Roy Lichtenstein are presented as examples of comic book culture being raised up to fine art. But do they really? [click for more]
Have you stopped watching the Oscars because the telecast is too long? If so, AMPAS would like a moment of your time. [click for more]
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