Contractually, WATCHMEN should belong to Alan Moore and Dave Gibbons> Did DC Comics screw them over, or did changing way comics are sold stab them in the back? [click for more]
The controversy over BATMAN; THE KILLING JOKE shows a dark side of the geek media, a problem the fans bring on themselves. [click for more]
From the “what nobody asked for” department… [click for more]
While DC Comics films were stuck in development hell, some of their proprietary imprints were having some film success. [click for more]
Before we look at the movie it spawned, we discuss why the WATCHMAN comic book series was so important. [click for more]
Alan Moore would have said nothing about V for Vendetta if Joel Silver just kept his damn mouth shut. [click for more]
We examine the start of love/hate relationship the legendary Alan Moore has with Hollywood. [click for more]
JF Sargent just knows that the era of superhero films is coming to an end and he doesn’t care how many facts he has to fudge to prove it. [click for more]
A trio of films use original characters to explore and deconstruct the world of comic books: two aimed at the characters, one aimed at the fans. [click for more]
Dave Stevens’ The Rocketeer comic book was a love letter of sorts to Hollywood’s Golden Age, and Hollywood did right by it bringing the comic to the screen. [click for more]
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